Keep It Simple, Stupid

Although Valentine’s Day is not in the near future, it appears that love is in the air. Last Saturday, 6 July, the UK celebrated its National Kissing Day.

As an American, can you imagine my surprise to learn that Brits dedicate an entire day to snogging (that’s British for kissing)? For my fellow non-Brits who don’t know how to celebrate this holiday, I browsed the Internet for helpful tips, and I compiled a list of what apparently are the worst kisses:

1. The Chicken Peck: attack of the little pecks, no further action


2. The Washing Machine: tongue rolls around uncontrollably like a spin cycle


3. The Biter: when the other person bites you so much, that you walk away with bloody and pained lips

Learning from Africa

Shoowa Artists (Kasai Province)
Democratic Republic of the Congo
Man's Prestige Cloth, first half of 20th century.
Raffia palm fibre, 66 x 35 cm.
Collection of Michael Mack.
Location: Wieland Skyway, Large Wedge Gallery.
Courtesy of the High Museum of Art, Atlanta.

Africa has long been a source of fascination for people from the West. From Cy Endfield’s 1964 classic film Zulu starring Michael Caine and Stanley Baker, to Disney’s The Lion King, from Elton John crooning The Circle of Life, to Shakira’s foot-tapping World Cup anthem This Time for Africa*, the land of our origins still maintains a deep hold over our thoughts and is firmly embedded into our culture.

When we look at Africa, we see a myriad of possibilities, destinations, languages, cultures, politics, wildlife, levels of wealth and poverty, violence and peace, landscapes, and geography.

The Pond-Like Qualities of Frida and Diego

Diego Rivera
Retrato de la Señora Natasha Gelman (Portrait of Mrs Natasha Gelman), 1943.
Oil on canvas, 115 x 153 cm.
The Jacques and Natasha Gelman Collection of 20th Century Mexican Art.
The Vergel Foundation. Conaculta/INBA.
© 2013 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York.
Courtesy of The Nelson Atkins Museum of Art, Kansas City.

Diego Rivera. Frida Kahlo. A new exhibition at the Nelson Atkins Museum of Art. It feels like old ground, and yet we (and, by we, I mean museums and galleries), keep on putting new exhibitions up, re-showing the same work over and over again. Isn’t this just a curriculum which we are repeating? A monopoly set where we never get to pass ‘GO’? A dream that we never seem to be able to wake up from?

No, actually it isn’t. What we can learn from Frida and Diego, and all other artists who are being exhibited (be it once, twice, or two thousand times), is that their work is important. And we can never truly glean everything we need to know about a painting by studying it once, twice, or even two thousand times.

L’art et la bataille

Sans avoir jamais posé la question à qui que ce soit, je suis convaincue qu’un certain nombre de personnes vous diront que lorsqu’ils pensent guerre, ils ne pensent pas du tout art, n’en déplaise à la formule de Sun Tzu. Moi je vous dirais qu’au contraire, c’est peut-être un des premiers liens que ferait mon cerveau un chouïa conditionné par l’histoire de l’art – qui nous raconte indéfiniment comment l’histoire, donc, est liée à la pratique artistique, et comment de tous temps les guerres ont eu un impact parfois dramatique et souvent fabuleux, sur les coups de crayon, de pinceau et de burin.

Timothy O’Sullivan,
Harvest of Death, 1863.
Metropolitan Museum of Art, New York.

Il n’y a pas si longtemps, la photo a révolutionné notre rapport à l’image.

¿Se puede considerar a la guerra un arte?

La guerra ha sido parte de la vida del ser humano desde que las primeras poblaciones de nómadas comenzaron a asentarse alrededor de las plantaciones de trigo. El primer lugar donde este cambio se produjo, pasar de poblaciones nómadas a asentamientosagrícolas, fue Oriente Medio, concretamente la antigua ciudad de Jericó en la actual región de Cisjordania. Desde hacía tiempo, los habitantes de esta ciudad recolectaban el trigo y lo empleaban para producir muchos de los productos que conocemos hoy en día, pero progresivamenteaprendieron a domesticar las semillas para controlar la cantidad de trigo que cultivaban, llegando a producir más de lo que consumían. Esto generó celos en las poblaciones vecinas, que carecían del conocimiento o de las condiciones favorables ―agua, tierra fértil, herramientas, trigo cuyas semillas pudieran ser replantadas y animales domesticados― para reproducir este significativo avance. La ciudad de Jericó tuvo entonces que ser fortificada, aunque no pudo evitar ser conquistada y reconquistada en numerosas ocasiones. La guerra organizada y planeada, por tanto, no es más que un intento de robar al vecino para conseguir lo que no se tiene, y halla su origen hace 10.000 años, con los nómadas del desierto que atacaron Jericó para robar el superávit de cereal. Nada que ver con las teorías sobre el instinto humano auto destructivo o de supervivencia.

Piero di Cosimo, Batalla entre los lapitas y los centauros, c. 1500-1515. Óleo sobre madera, 71 x 260 cm. TheNationalGallery, Londres.

Desde que comenzaran estas primeras reyertas ha pasado mucho tiempo y las situaciones en que se ha producido la guerra han variado mucho.

Le tracé des maîtres

J’ai toujours préféré regarder le dessin à la peinture – pour la spontanéité de la ligne, l’authenticité du trait, et l’essence du talent mis a nu de l’artiste. Le dessin, c’est l’intimité, le creux de la main noirci de pierre noire, les taches et les reprises, le dessin c’est le bazar de la pensée en construction, c’est l’imperfection magnifique. Tous les ans en mars, je me régale des deux salons parisiens qui lui sont consacrés - le Drawing Now contemporain au Carrousel du Louvre, et le Salon du Dessin Ancien au Palais de la Bourse – on passe des heures dans les allées, à se demander comment tant d’expressivité peuvent être rendus avec des instruments qui, contrairement à ceux du peintre, sont à priori beaucoup plus accessibles à n’importe quel quidam qui voudrait s’essayer au gribouillis.

Raffaello Sanzio dit Raphaël, Sainte Famille.
Plume et encre brune, traces de pierre noire, mise au carreau à la sanguine, 35,7 x 23,8 cm.
Palais des Beaux-arts, Lille.

À l’origine d’un tableau de maître, donc, il y a un dessin, qui a commencé parfois en quelques traits sur une feuille qui ne paye pas de mine.

The Game of Thrones: A Screaming Good Time

It’s that time of year again. Adrenaline, excitement, anguish, depression, lethargy, and resignation: these are all common feelings associated with this time. What is so significant about this particular time of year you may ask? Well, now is the time of year when the season finale of the Game of Thrones has come and gone. A whole 9 months to go before we find out who the next unsuspecting victim(s) of George R.R. Martin’s vicious pen will be. And I ask you: how are we supposed to deal with that?

Sure, for the next month, there will be lots of debate about what might happen and who may become the next strongest contender for the Iron Throne (seriously people, don’t keep bandying Daenerys Targaryen’s name about so much… Martin may get angry, and then BAM, there goes one of our favourites!). Some people may even pick up the books for the first time, in an eager bid to get ahead of the TV show (to the person who recently said to me: “why bother reading the books when you have the TV show?”, Shame on you!!!), and yet, as someone who has read the books, and first picked them up nearly ten years ago… they will hook you, and then leave you in a worse state than the TV show. Because believe me, with the televised version, 9 months is nothing. When you wait YEARS for the next book to come out, then you will understand the true meaning of patience.

¿Quién eres, David Bowie?

¿Quién ha oído hablar de David Robert Jones? Mejor reformulo la pregunta: ¿quién ha oído hablar de David Bowie? Seguro que ahora alguno más ha levantado la mano. Es uno de esos músicos que puede gustarte o no, pero al que seguro que eres capaz de imaginarte en más de una de sus múltiples versiones. El adjetivo más utilizado para referirse a él debe de ser “camaleónico” (no por nada una de sus canciones más célebres se titula “Changes”).

Su fama trasciende lo meramente musical desde que a principios de los 70 creara el personaje de Ziggy Stardust, un alter ego cuya imagen es, seguramente, una de las primeras que nos vienen a la cabeza al pensar en el cantante.

ALWAYS Win the War

Captain Charles A. and Sergeant John M. Hawkins, Company E, "Tom Cobb Infantry," Thirty-eighth Regiment, Georgia Volunteer Infantry, 1861–62.
Ambrotype, Photograph.
David Wynn Vaughan Collection.
The Metropolitan Museum of Art, New York.
Courtesy of the Metropolitan Museum of Art.

Now, I’m not one to try and court controversy, but it has occurred to me that the act of war is just good business (for the winners anyway).

Let’s take war crimes, death tolls, injuries, post-traumatic stress, and dubious reasons for inciting wars out of the equation for a moment. Instead, look at the opening up of jobs in the military forces. This means that unemployment figures go down, levels of education go up (excellent military and civilian training is provided in all manner of subjects), nationwide happiness is on the up (again, primarily for the winning side), and if we stick to the “to the victor the spoils” philosophy (as a certain nation has recently tried to do with Middle-Eastern oil resources), then wealth can also be a by-product of a successful war campaign.

Manos, ¿para qué os quiero?

Desde que desaparecieran los aprendices, el valor y la utilidad del trabajo manual ha ido perdiendo prestigio a pasos agigantados. Las constantes reformas educativas que absorbieron los oficios que anteriormente se aprendían y perfeccionaban en los talleres, pasaron a formar parte de la enseñanza profesional, la conocida como formación profesional, que proporcionaba conocimientos teóricos además de prácticos. Me abstendré de valorar la justicia o acierto de esta estrategia ―de alguna manera había que ocupar a la cantidad de jóvenes que se negaban a estudiar y no podían encontrar trabajo en la España de la transición―, pero las consecuencias, en mi humilde opinión, pueden percibirse en dos aspectos diferentes.

Frank Duveneck, El aprendiz de zapatero, 1877. Óleosobrelienzo, 100,3 × 70,8 cm. Taft Museum of Art, Cincinnati.

La primera es que ya nadie quiere trabajar con sus manos.

Vous avez dit typique

Sans avoir jamais mis les pieds à Amsterdam, l’idée d’aller visiter une antenne de musée placée installée la douane d’un aéroport constitue un argument suffisant a un week-end néerlandais – plus que les canaux, les coffee shops et le quartier rouge - et tout de même pas plus que les chefs d’œuvre du bâtiment principal du Rijksmuseum et le musée Van Gogh.


Johan Barthold Jongkind,
Moulins à Rotterdam, 1857.
Huile sur toile, 42,5 × 55 cm.
Rijksmuseum, Amsterdam.

Typically Dutch : c’est sous cette simplissime accroche que l’aéroport double du musée invite à venir  tacher d’appréhender un peu mieux a travers les yeux de ses peintres ce qui a fait les Pays-Bas, en passant par les Provinces-Unies et la République Batave. «Typique», le mot  me semble trop global, et a la limite du cliché – mais après tout, les biens connues scènes de genre, les portraits audacieux de Frans Hals, les ports et la campagne de Jongkind, puis le symbolisme inquiétant de Jan Toorop sont peut-être exactement ce que nous voulons voir en descendant d’un avion. Du Moyen Âge a nos jours, il y a des chances pour que l’exposition ne soit pas si typique, et en tous les cas parfaitement dans le ton teinté de fierté du dixième anniversaire de la création de l’antenne du Schiphol ainsi que de la grande réouverture du Rijskmuseum le 13 avril dernier.


Karel Appel,
Vierge Noire, 1952.
Huile sur toile, 130 cm × 89cm.
Risjkmuseum, Amsterdam.

Rendez-vous a l’exposition Typically Dutch au Rijksmuseum Schiphol jusqu’au 1^er juillet 2013. Pour plus de « typiquement hollandais », consultez l’ouvrage La Peinture hollandaise édité par Parkstone international.

Going Dutch

“Going Dutch”: a phrase which is most commonly associated with splitting the bill when going out to dinner.

Personally, I find that this is one of those phrases which we all use, and don’t really think about why we use it. I have merrily used these two simple words for many years – and yet it is only recently that it occurred to me to question where such a notion comes from.

Johan Barthold Jongkind
Windmills in Rotterdam, 1857.
Oil on canvas, 42.5 x 55 cm.
Courtesy of the Rijksmuseum, Amsterdam.

Before I started doing some research into this, I have to admit that I did spend more time than I probably should have trying to puzzle this scenario out. I did, however, cross out the possibility that it originally meant going to eat Edam at a windmill, with a dress code of clogs and pearl earrings.

Corea; a cada época, su traje

Será por la lejanía, tanto física como cultural, que Asia siempre fascina. Y si eso pasa ahora que internet hace que cualquier lugar del mundo esté a la vuelta de la esquina, no puedo ni imaginar en la Edad Media o el Renacimiento, cuando la única manera era coger un barco, o un caballo, y tirar millas esquivando ladrones, guerras, temporales y demás aventuras que se pusieran en tu camino. Pero claro, luego lees a Marco Polo y entiendes que la gente se arriesgara.

También está el hecho de que estos países tardaran tanto en abrir sus fronteras al comercio y visitantes extranjeros (muchos de ellos todavía son muy restrictivos y otros ni siquiera te dejan sacar fotos al exterior, sí, hablo de Corea del Norte), por lo que sólo se conocía lo que los evangelizadores que iban a esos países podían contarnos (siempre desde su sesgado punto de vista religioso y moral) y lo que los mismos países querían mandar al extranjero (un poco lo mismo).

Pedro Pablo Rubens, Hombre con traje coreano, 1617.
Carboncillo con toques de sanguina en el rostro, 38,4 x 23,5 cm.
The J. Paul Getty Museum, Los Ángeles.

Pese al K-Pop y al Gangman Style,

A Searching Truth

Question for the day: What brings us to make particular choices? Choices which range from our music preferences to major life decisions?

Religion is one such important life choice. Christianity, Islam, Judaism, Hinduism, Buddhism… the Big 5 (in terms of the most well-known religions).

Kang Ik-Joong
Happy Buddha (2008).
Courtesy of the Museum of Fine Arts, Boston.

Today I shall be looking at Buddhism. What is the draw? Why is it becoming more and more popular in the Western world?

Why We Owe Spain a Big “Gracias”

Villanueva Building, Velázquez Entrance (Paseo del Prado Facade).
Courtesy of the Museo Nacional del Prado, Madrid.

This is how I started my office questionnaire (I take my research for these blogs very seriously):

“What has Spain given the world….go:”

These were the answers I received (and yes, some of the responders are Spanish):

• Helicopters


• “America”


•  “Hot men”


• Tortilla

What is Love?

Love.

Love is, waking up late on the weekend.

Love is, frosty, autumn mornings, breath fogging the air.

Love is, smelling the cut grass on a hot summer’s day.

Love is, feeling the steam rise off the ground after a tropical rain storm.

Love is, laughter.

Getting to Know Glart

Here’s a fun fact for you: Glass has been around since around about 3000 BC (in the Bronze Age), and glassblowing was created in Syria, in the 1^st century BC. You may be wondering what that has to do with the price of fish – well, let me explain.

Glass is immensely important in our society. And, the fact that it was developed so early on in our history means that it has been incredibly important for our ancestors’ society, and their ancestors’ society… for thousands of years. Again, you may be asking what the point of this is. Well, fine you got me, I guess there isn’t a point as such, other than the fact that I think it high time that glass and the art of glass-making gets some much-deserved recognition and appreciation. I also think that a new word should be coined: Glart – Glass Art.

Glass In Action
Courtesy of the Museo del Vetro, Murano
Fondazione Musei Civici di Venezia

Where Did It All Go Wrong?

David Bowie: Musician, Idol, Icon. In March of this year he surprised everyone with the unexpected, yet welcome, news that he was releasing his 24^th album, The Next Day – the first to be released since 2003. So, bearing this in mind, as well as giving a big shout-out to London’s Victoria & Albert Museum for hosting a spectacular exhibition based on this rock legend, what has Bowie’s legacy been thus far?

Let’s look at today’s popular music – Lady Gaga, Rihanna, Adele, One Direction, Justin Bieber, Mumford & Sons, Muse, Marilyn Manson, and The Script, to name but a few.  With some of these artists, it is relatively easy to spot how the influence of Bowie may have helped to mould them into what they are today: Marilyn Manson, Muse, Lady Gaga (to some extent), etc. However, there are others who seem to have gone off in a completely different tangent. Justin Bieber for example. I am in no way, shape, or form a “Belieber”. In fact, it would not be a lie to baldly state that I despise that label. Whilst it may be unfair of me to simply state my opinions and then carry on with the rest of this article, I think that if I were to rationally explain my dislike in a somewhat analytical fashion, then I could get away with it!

David Bowie
Photograph by Mick Rock, 1972, 1973.
Copyright Mick Rock 2013.
Courtesy of the V & A Museum, London.

Catching Up With the Kachina

You are in a remote area of north-eastern Arizona. Amidst the hot and arid landscape, you encounter a people. The remnants of a Native American Pueblo People: the Hopi. As you learn more about their way of life, their past, their culture, and their beliefs, you gather round and listen carefully to their stories. This is how you hear about the Kachina for the first time.

Georgia O’Keeffe,
Blue-Headed Indian Doll, 1935.
Watercolour and graphite; 21 x 12-1/8 in.
Georgia O’Keeffe Museum; Gift of The Burnett Foundation (1997.06.009).
© Georgia O’Keeffe Museum

The Power of Books

We all had that moment in childhood didn’t we… when the pretty pictures in books suddenly came second to what the pages were actually saying. (Well, for some people, maybe that hasn’t happened yet.) But for a time, shorter or longer depending on the individual, it was a book’s illustrations which were a big factor in what drew us to a particular book.

William Blake
Illustration from The Book of Ahania, plate 2, 1795.
Intaglio etchings, designs colour-printed, 28.8 x 23.2 cm.
Rosenwald Collection, Library of Congress, Washington, D.C.