It’s that time of year again. Adrenaline, excitement, anguish, depression, lethargy, and resignation: these are all common feelings associated with this time. What is so significant about this particular time of year you may ask? Well, now is the time of year when the season finale of the Game of Thrones has come and gone. A whole 9 months to go before we find out who the next unsuspecting victim(s) of George R.R. Martin’s vicious pen will be. And I ask you: how are we supposed to deal with that?
Sure, for the next month, there will be lots of debate about what might happen and who may become the next strongest contender for the Iron Throne (seriously people, don’t keep bandying Daenerys Targaryen’s name about so much… Martin may get angry, and then BAM, there goes one of our favourites!). Some people may even pick up the books for the first time, in an eager bid to get ahead of the TV show (to the person who recently said to me: “why bother reading the books when you have the TV show?”, Shame on you!!!), and yet, as someone who has read the books, and first picked them up nearly ten years ago… they will hook you, and then leave you in a worse state than the TV show. Because believe me, with the televised version, 9 months is nothing. When you wait YEARS for the next book to come out, then you will understand the true meaning of patience.
Showing posts with label Game of Thrones. Show all posts
Showing posts with label Game of Thrones. Show all posts
Thursday, June 20, 2013
The Game of Thrones: A Screaming Good Time
Labels:
art,
Art Exhibition,
Daenerys Targaryen,
Edvard Munch,
Elizabeth Ingles,
English,
Fiona Torsch,
Game of Thrones,
George R.R. Martin,
HBO,
Iron Throne,
National Gallery of Art,
Red Wedding,
Season Finale,
The Rains of Castamere,
The Scream,
Washington D.C
Thursday, February 28, 2013
Viva the Tomboy!
Whilst Shiloh Jolie-Pitt is perhaps one of the most famous tomboys of her generation, and in no way likely to become BFF’s with Suri Cruise (if I am mistaken, I will sincerely apologise to everyone involved), it’s very likely that she’ll one day embrace a girlier side of herself. Brad and Angelina, watch out, she’s going to be a handful!
Whilst I was no great girly-girl as a child, I was certainly no tomboy either... I left that to my sister. But, I had a certain fascination with tomboys in stories – I envied their ‘go get em’ attitude, and self-sufficiency. I mean, Jo was everybody’s favourite in Little Women, right? Enid Blyton’s George in The Famous Five was far more interesting than Anne! As much as I love Cinderella and Aurora, Mulan gets an A+ in the ‘go get em’ department! One more quick example to prove my point: In George R. R. Martin’s Game of Thrones, Arya Stark is the clear favourite. She’s brave, she’s feisty, and she is certainly no doormat.

John Singer Sargent
Carnation, Lily, Lily, Rose, 1885-1886,
Oil on canvas, 174 x 153.7 cm,
Tate Gallery, London
This is proof, if ever there was need, that tomboys have been in vogue ever since the 1940’s, when The Famous Five was first published, if not before. It is this idea of childhood, and especially girlhood, which the Memphis Brooks Museum of Art is preparing to explore. The 19th century was a time when society and cultural expectations were changing... girls were beginning to be heard as well as seen, and the idea of what a girl should be and the expectations her parents had for her was also undergoing a process of change. The exhibition of these different artistic depictions of girlhood harks back to a more innocent time of life and, in fact, perhaps even a more innocent age.

John Singer Sargent
Portraits of Edouard and Marie-Louise Pailleron, 1881,
Oil on canvas, 152.4 x 175.3 cm,
Edith M. Usry Bequest Fund, Des Moines Art Center, Des Moines
Be that as it may be, I for one am very glad that I grew up when and where I did. To have the luxury of the freedom of choice of tomboy-hood or not, to have much wider choices upon leaving childhood, and to be able to appreciate the novelty of a world far-removed from that of my own – in book form of course! I can say for certain that I am very glad that I was not actually in Mulan’s position of having to defeat the Huns; I am also glad that Spam was not part of my childhood – as it was so often for Enid Blyton’s characters!
To see for yourselves the difference in lifestyles between the young girls of yesteryear and those of modern-day children head over to the Memphis Brooks Museum of Art between the 16th February and the 12th May. Decide for yourself whether the child in question is an Angel or a Tomboy! If Tennessee is a little too far out of the way, go ahead and get yourself a copy of Clara Erskine Clement Waters’ Angels.
Whilst I was no great girly-girl as a child, I was certainly no tomboy either... I left that to my sister. But, I had a certain fascination with tomboys in stories – I envied their ‘go get em’ attitude, and self-sufficiency. I mean, Jo was everybody’s favourite in Little Women, right? Enid Blyton’s George in The Famous Five was far more interesting than Anne! As much as I love Cinderella and Aurora, Mulan gets an A+ in the ‘go get em’ department! One more quick example to prove my point: In George R. R. Martin’s Game of Thrones, Arya Stark is the clear favourite. She’s brave, she’s feisty, and she is certainly no doormat.
John Singer Sargent
Carnation, Lily, Lily, Rose, 1885-1886,
Oil on canvas, 174 x 153.7 cm,
Tate Gallery, London
This is proof, if ever there was need, that tomboys have been in vogue ever since the 1940’s, when The Famous Five was first published, if not before. It is this idea of childhood, and especially girlhood, which the Memphis Brooks Museum of Art is preparing to explore. The 19th century was a time when society and cultural expectations were changing... girls were beginning to be heard as well as seen, and the idea of what a girl should be and the expectations her parents had for her was also undergoing a process of change. The exhibition of these different artistic depictions of girlhood harks back to a more innocent time of life and, in fact, perhaps even a more innocent age.
John Singer Sargent
Portraits of Edouard and Marie-Louise Pailleron, 1881,
Oil on canvas, 152.4 x 175.3 cm,
Edith M. Usry Bequest Fund, Des Moines Art Center, Des Moines
Be that as it may be, I for one am very glad that I grew up when and where I did. To have the luxury of the freedom of choice of tomboy-hood or not, to have much wider choices upon leaving childhood, and to be able to appreciate the novelty of a world far-removed from that of my own – in book form of course! I can say for certain that I am very glad that I was not actually in Mulan’s position of having to defeat the Huns; I am also glad that Spam was not part of my childhood – as it was so often for Enid Blyton’s characters!
To see for yourselves the difference in lifestyles between the young girls of yesteryear and those of modern-day children head over to the Memphis Brooks Museum of Art between the 16th February and the 12th May. Decide for yourself whether the child in question is an Angel or a Tomboy! If Tennessee is a little too far out of the way, go ahead and get yourself a copy of Clara Erskine Clement Waters’ Angels.
Labels:
angel,
Cinderella,
Clara Erskine,
Clement Waters,
Enid Blyton,
Famous Five,
Fiona Torsch,
Game of Thrones,
Jolie,
Little Women,
Memphis Brooks Museum,
Mulan,
Pitt,
R.R. Martin,
Sleeping Beauty,
Tomboy
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